3 Feet High and Rising Review

3 Feet High and Rising is the debut album from American hip hop trio De La Soul.

Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observors labeled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (da inner sound, y'all). Sampling artists as diverse as Johnny Cash, Hall & Oates, Steely Dan's "Peg" and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). Of particular importance is the production by Prince Paul, who would become one of hip hop's hottest producers on the strength of this album. While sampling was hardly new, 3 Feet High and Rising revolutionized the technique and influenced virtually every producer and artist to come later.

Lyrically, the album was incredibly unusual for its time. Even beside its revolutionary exhortation for peace and harmony, many of the songs are extremely personal and heartfelt recountings of early sexual intercourse ("Jenifa Taught Me"), love ("Eye Know") and insecurity regarding personal appearance and fashion ("Can U Keep a Secret", "A Little Bit of Soap" "Take It Off"). With the exception of "Do As De La Does", there is no profanity on the album, in stark contrast to most hip hop albums from the time period. "Jenifa Taught Me", "Tread Water" and "The D.A.I.S.Y. Age" are three of De La Soul's most popular songs among their fans. Many of the lyrics are humorous and/or nonsensical ("Sun, ceiling/Ceiling connects to the sun, burning inside everyone, on a side Plug-a-fied sire/One million/Demonstrations have been heard, my hair burns when I'm referred/Kid shouts my roof is on fire/Go dancing/Dancing like a bandit, psychics try to stand it, keep it up until they burn a cell/Ro-mancing/Romancing dialect in shows, Posdnous creating flow, you say you didn't know/Oh well, it's a D.A.I.S.Y. age."), and are inventive and original, stylistic predecessors of MF Doom and Busta Rhymes; Posdnous compares the rhymes to dance in "The Magic Number" ("the phrasing Fred Astaires"). Many of the listeners who compared the group to hippies criticized the album for a childlike, simple approach at complex issues, as on "Tread Water", where a series of animals exhort the listener to maintain a positive mental attitude. Supporters point to songs like "Say No Go" as a realistic portrayal of the pitfalls of drug abuse (the title is a reference to Nancy Reagan's "Just Say No" campaign. Posdnous criticizes Reagan, but applauds the sentiment); the song was deeply personal for Posdnous, whose own brother was addicted to crack cocaine.

The first track, entitled "Intro", is a skit that takes place at a game show. The contestants (the three members of De La Soul plus producer Prince Paul) are asked four questions by the host (Al Watts), and their attempts at answering are scattered about the album. The song "Ghetto Thang" is one of the few non-positive tracks on the album. It is a sad story about poverty and other social ills, even though De La Soul is from middle-class suburb Amityville, New York (on Long Island). Its denunciation of ghetto violence can be summed up in the words "Ghetto gained a ghetto name from ghetto ways/Now there must be ghetto gangs and ghetto play/If ghetto thing can have its way in ghetto rage/Then there must be some ghetto love and ghetto change". "Description" describes each member of De La Soul, and a few others, in five lines each, the style reminiscent of a limerick.

On the Billboard Music Charts, 3 Feet High and Rising hit #1 R&B/Hip hop and #24 in the Top 200. NME (One of the greatest albums ever made), Village Voice (the Sgt. Pepper of hip hop), Spex (also #5 on the top 100 Albums of the Century) and Face magazines named 3 Feet High and Rising the top album of 1989, while Rolling Stone placed it at #5, HUMO at #12, OOR at #8, Record Mirror at #2, Sounds at #4 and Melody Maker at #10. It also made it on Rolling Stones' 200 Essential Rock Records and The Source's 100 Best Rap Albums (both of which are unordered).

When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked at #1, outdistancing its nearest opponent (Neil Young's Freedom) by 21 votes and 260 points.

"An inevitable development in the class history of rap, [De La Soul is] new wave to Public Enemy's punk," wrote critic Robert Christgau in his Consumer Guide column's review of 3 Feet High and Rising. "Their music is also radically unlike any rap you or anybody else has ever heard - inspirations include the Jarmels and a learn-it-yourself French record. And for all their kiddie consciousness, junk-culture arcana, and suburban in-jokes, they're in the new tradition - you can dance to them, which counts for plenty when disjunction is your problem."

Rolling Stone magazine gave the album three stars and concluded that it was "(o)ne of the most original rap records ever to come down the pike, the inventive, playful 3 Feet High and Rising stands staid rap conventions on their def ear".

It was ranked 88th in a 2005 survey held by British television's Channel 4 to determine the 100 greatest albums of all time. In 2003, the album was ranked number 346 on Rolling Stone magazine's list of the 500 greatest albums of all time.